149 results found
While conducting research for my doctoral dissertation, "Grace McCann Morley and the Dialectical Exchange of Modern Art in the Americas, 1935-1958," I visited the Rockefeller Archive Center (RAC) in order to learn more about Grace McCann Morley's work with Nelson Rockefeller and the Office of the Coordinator of Inter-American Affairs (CIAA), through materials in Nelson A. Rockefeller's personal papers. In 1940, Rockefeller invited Morley, the director of the San Francisco Museum of Art (SFMA; now San Francisco Museum of Modern Art), to serve as an advisor to the CIAA and its Committee on Art. This committee planned exhibitions such as La Pintura Contemporánea Norteamericana for Latin American audiences and Latin American Art for US audiences. Although my research in the archives did not uncover correspondence between Rockefeller and Morley, it did reveal useful contextual information about Rockefeller's investment in collecting and exhibiting Latin American art and Morley's relationship with Alfred H. Barr, Jr., the director of the Museum of Modern Art in New York (MoMA).
My project seeks to understand the changing practices and discourses of internationalism within post-war British and American civil society. The practices of international friendship—with their emphasis on people-to-people connections—form a crucial but understudied part of the picture of postwar internationalism. My aim with this project is to address the neglect of the "everyday" by using international friendship projects as a window onto discourses and practices of internationalism. In doing so, it will contribute to new and emerging research on the role of emotion and intimacy in shaping transnational relationships. This report explores these issues in relation to three initiatives that sought or received funding from the Rockefeller Foundation and the Rockefeller Brothers Fund in the mid- to late 1950s: the Experiment in International Living (a youth exchange program), the Asia Society for cultural and educational exchange, and Eisenhower's expansive but poorly focused People to People Program.
My project follows Hungarian refugees from the failed Hungarian Revolution of 1956 through the Cold War ideological and institutional structures of the immediate postwar period. To what extent did they adopt a Cold War script, and conversely and to what extent were they conditioned by the constraints of the geopolitical order? Moreover, how did they help constitute the international meaning of the Revolution? This project is motivated by answers to these questions and uses individual Hungarian refugee trajectories to unpack new insights on the Cold War, as well as how the Cold War obscured other concerns at the time – for instance, decolonization and processing the memories of the Second World War.
This report offers evidence of key actors' strategies to forge a new union between new music and higher education as means to solve the economic instability of performing arts organizations and artists in the mid-twentieth century. Their rationale and resulting programming established American higher education institutions as the main site of creative music-making. Additionally, their decisions implicated the style and genre of music in higher education. Specifically, Rockefeller Foundation trustees emphasized the importance of continuing high arts cultural patronage in the style of European aristocrats in the sixteenth through early nineteenth centuries; and officers of the Rockefeller Foundation and Ford Foundation advocated for improving the quality of, and access to, music education of the same repertoire. Their impacts cemented higher education music departments and schools of music as sites of elite, white culture into the twenty-first century.
Life magazine's vast networks and the connections and collaborations between its editors and museum trustees, collectors, curators, critics, and artists at a wide range of institutions led to some of the most fascinating and innovative exhibitions, magazine articles, and programs in the mid-century American art world.
Designing a Pictorial Language: Rudolf Modley’s Search for Philanthropic Support for the Development of a Universal System of SymbolsMay 3, 2022
In 1966, acclaimed cultural anthropologist Margaret Mead, and graphic designer Rudolf Modley established the nonprofit Glyphs, Inc., to advance the research, classification, and promotion of universal graphic symbols around the world. Creating a visual language and system of symbols, they believed, could transcend language and lead to greater international understanding and harmony. But despite their esteemed records and vast international contacts, Mead and Modley's ambitious and utopian vision was never fully realized, stalled by lack of financing, unclear and unrealistic goals, differences over philosophy and methodology, and competition and criticism from other comparable endeavors. The correspondence, memos, proposals and reports available in the Rockefeller Archive Center holdings -- notably those of the Ford Foundation (and its affiliate, the Fund for the Advancement of Education), the Rockefeller Foundation (specifically those of the Rockefeller-funded General Education Board), and the Russell Sage Foundation -- provide rich insight into the journey and obstacles faced by Rudolf Modley in raising philanthropic support for his ambitious vision in the decades leading up to the formation of Glyphs, Inc. They shed light on the competing effort of renowned industrial designer Henry Dreyfuss to create an international dictionary of symbols, their differing methods and approach, and their lack of familiarity as designers with the nuances of raising philanthropic funds for their ambitious endeavor. Both Modley and Dreyfuss would go on to publish seminal books on graphic and pictorial symbols in the 1970s, but their tireless efforts to garner support from philanthropic foundations were fraught with false starts and disappointments.
When Siegfried Kracauer arrived in the United States in May 1941 aboard the Nyassa, he was one of countless German émigrés to have narrowly escaped the Nazi conquest of Europe. By the time of his death a quarter century later, Kracauer had found his footing in the American scene, having published significant contributions to the emerging discipline of film studies (From Caligari to Hitler, 1947; Theory of Film, 1960). He had been hard at work on a monograph about the craft of the historian, which would be published posthumously as History: The Last Things Before the Last (1969). How did this exile gain his bearings upon disembarking in New York Harbor? What were the waystations? Who provided the helping hands? Where did Kracauer turn?
In the late 1940s and early 1950s, McCarthyism blighted the American intellectual landscape. The search for communists and communist sympathizers destroyed the careers of many scholars whose work touched on sensitive or controversial topics. It was exactly this "multistranded nature of McCarthyism" that made it so vexing for its antagonists and has made it such fertile ground for historians.
Laurance S. Rockefeller and the Outdoor Recreation Resources Review Commission: Race, Recreation, and the National ParksFebruary 25, 2022
This project focuses on the links between the conservation movement and civil rights through an examination of the reach and impact of the Outdoor Recreation Resources Review Commission (ORRRC) and its chairman, Laurance S. Rockefeller (LSR). The Commission's landmark report in 1962 identified large racial disparities in access to public lands and recreation across the USA, which prompted the National Park Service (NPS) to establish new National Recreation Areas and Historical Parks in urban areas in the 1960s and 1970s. The project examines the history of the ORRRC, contextualizes the Commission's work within the longer history of the civil rights movement's efforts to desegregate state and national parks, and NPS efforts to increase recreational opportunities in urban areas. Based on research in the records of the ORRRC at the Rockefeller Archive Center and in the National Archives, the project also discusses the central role of LSR in the Commission's history, as well as his views on civil rights and public lands.The entire study, commissioned by Marsh Billings Rockefeller National Historical Park, includes five chapters. This report is drawn from chapter 3, which examines the ORRRC's uneven efforts between 1958-62 to identify and recommend remedies for racial disparities in outdoor recreational opportunities in urban areas. The complete chapter examines ORRRC studies of New York City, Chicago, St. Louis, and Los Angeles, as well as Atlanta, the focus of this report.
This research forms part of a larger book project examining how the meanings and values ascribed to mathematics—as a universal, neutral discourse and as an idiom of reason and truth—came into being and about its cultural circulation between the 1920s and 1960s in American colleges and universities. Drawing on publications and sources from institutional archives such as the Rockefeller Archive Center, this project explores the relations and exchanges between mathematicians and scholars across the arts and humanities over what knowing mathematics entailed and what it meant to be modern.
Donald Redfield Griffin (1915-2003) was an American zoologist best known for his discovery of echolocation and for his later work on animal consciousness. He was a central figure in behavioral biology and sensory physiology in the United States, and he made important contributions to the disciplinary and intellectual development of animal behavior research in the second half of the twentieth century. During his early career, he focused on the sensory physiology of animal navigation. Along with fellow Harvard graduate student Robert Galambos (1914-2010), in the late 1930s, Griffin discovered the ultrasonic method of orientation in bats; in 1944, he coined the term "echolocation" to describe this phenomenon as a general method of perception. In addition to his discovery of echolocation, Griffin also made several contributions to understanding the physiological basis of bird migration and navigation, and he popularized in the United States zoologist Karl von Frisch's (1886-1982) dance language theory of the honeybee. In 1976, Griffin surprised the scientific world by raising the question of animal consciousness, a taboo in professional science for most of the twentieth century. Beginning with his provocative book, The Question of Animal Awareness (1976), Griffin devoted the second phase of his career to making animal consciousness a scientifically respectable topic once again. Here again, he made significant contributions to the study of animal behavior by establishing a new field of science, cognitive ethology, which is centered on the evolutionary and comparative analysis of consciousness and cognition in animal behavior.
A History of Diabetes at the Rockefeller Archive Center: The Development of Oral Hypoglycaemic Drugs and the UGDP DebateDecember 3, 2021
With very generous research funding provided by the Rockefeller Archive Center (RAC), I was able to travel from Scotland in early August 2018. This was my first trip to the RAC, as well as my first time in the United States. Having just finished up at a three-month internship at the Scottish government, I was thrilled to be granted time and financial support for archival research. This report presents a summary of my time at the RAC and how the material I accessed there has supported my thesis. For those interested in the history of pharmacy in the second half of the twentieth century, or specifically the history of diabetes, this report provides an overview of the history of the development of the first oral anti-diabetic agents. It highlights the debate that followed one of the most contentious medical trials in the history of medicine, the University Group Diabetes Program.
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