155 results found
The 1963 Ford Foundation Program for Film Makers and the Networks of Experimental Cinema
May 12, 2023In June 1963, the Ford Foundation's Humanities and the Arts program sent out a call for nominations for their Program for Film Makers. Nine months later, in March 1964, twelve American filmmakers received grants of 10,000 dollars "to enable a limited number of creative film makers to extend and deepen their artistic experience and productivity." The documents surrounding the creation and development of this one-time grant in support of experimental filmmaking reveal the challenges facing private foundations engaged with an evolving and diverse art form. Furthermore, they counter a representation of experimental filmmaking as individualistic and author-centered by uncovering networks of support among artists and the cultural milieu that sustained their works.
From Nelson Rockefeller to Eric Adams: The Evolving Politics of Crime and Punishment in New York
February 16, 2023Despite calls for the "defunding" of the police and the reimagining of policing following the death of George Floyd in 2020, many New York politicians, in response to rising rates of violent crime, have begun to embrace "law and order." All of this bears a great similarity to the politics of crime and punishment during the governorship of Nelson Rockefeller. Examining several documents in the gubernatorial records of Nelson Rockefeller at the Rockefeller Archive Center, newspaper articles, and public opinion, this report documents the political response to violence and drug addiction in the 1960s and 1970s and compares it to the present, reviewing contrasting arguments of influential Black leaders and "white liberals." It concludes that the present crime context, much like the one during the Rockefeller-era, has divided the left and Black leadership while solidifying Republican commitment to "law and order." It argues that the history of the Rockefeller drug laws illustrates that these divisions and the legitimate fears of working- and middle-class minorities can produce haphazard policies that harm rather than save these communities.
Six Roles of Philanthropy in John D. Rockefeller, Jr.’s Response to the 1913-14 Colorado Coal Strike
January 20, 2023John D. Rockefeller, Jr.'s understanding of labor issues prior to 1914 was shaped largely through his philanthropic and civic activities, including contributions to five liberal, Progressive-era organizations concerned with improving industrial conditions. Simply put, philanthropy provided his education.Following the tragic events in Colorado, especially the so-called Ludlow Massacre, JDR Jr. employed philanthropic giving, in combination with a variety of other strategies, to address the problems at the Colorado Fuel & Iron Company (CF&I), while also restoring the Rockefeller family's good name: He used philanthropy to:Improve social and economic conditions in Colorado immediately following the strike;Involve the YMCA's industrial department as part of the company's expanded employee welfare programs;Express gratitude and demonstrate camaraderie with CF&I employees following his historic 1915 visit to Colorado;Promote the ideas of employee representation and personal relations in business; andEncourage research in the emerging fields of industrial relations and organizational behavior. This research report highlights philanthropic aspects of JDR Jr.'s response to the strike and are based on a larger investigation that examined JDR Jr.'s efforts as milestone events in modern public relations and industrial relations as well as JDR Jr.'s emergence as a 20th century icon. Observations about his philanthropic strategy are discussed.
Blanchette Rockefeller, Engaged Leadership, and MoMA, 1949-1987
December 12, 2022This essay aims to highlight Blanchette Rockefeller's leadership style, which emphasized artistic appreciation, collaborative leadership, and institution building. As both a prominent donor to the museum as well as a fixture in leadership during the mid-twentieth century, Mrs. Rockefeller's leadership style falls somewhere between what we would think of as philanthropy and management. Not coincidentally, her husband, John D. Rockefeller 3rd, was engaged with public institutions in the sphere of Asia-US cultural and social relations and pioneered a type of philanthropy denominated "venture philanthropy," which entailed an intellectual and social commitment to favored causes that complemented financial support.[i] In some sense, Blanchette's approach to leadership drew on three key areas: an intellectual emphasis, evident in her passion for promoting artistic appreciation; a social component, manifest in her use of collaborative efforts to advance the mission of MoMA; and, finally, an investment of time, which arguably, in addition to financial support, represented a scarce resource she lavished on the various programs and institutions that she was called to pioneer within MoMA.
“An Obligation and a Conviction to Work for Women Less Fortunate than I Am”: Joan Dunlop, Women’s Reproductive Rights, and the Work of the Population Council
November 9, 2022This report details my research trip to the Rockefeller Archive Center in July 2016. My research agenda was to analyse the work of the Population Council, as a case study through which to explore the ways in which American non-governmental actors could negotiate a decolonising, Cold War world. I was interested in how philanthropic organisations work as spaces determined by "values" and how these "values" might both shape and be shaped by encounters with the wider world, especially actors and communities in the Global South. My focus on the Population Council also led me to explore particularly the work of Joan Dunlop, and her role in determining American NGO-led policy towards the role of women in the Global South, particularly focusing on the issue of reproductive rights.
“If Human Ears Were Tuned to Bat Frequencies": Inaudible Sound and the Sciences of Bat Echolocation
October 27, 2022This report provides draft excerpts from my PhD dissertation titled "The Inaudible Sounds of Science and Medicine: Animals and Media from the Galton Whistle to Bat Echolocation," a chapter of which explores the laboratory work of Donald R. Griffin – and especially the emergence of the concept of bat echolocation – as it contributed to a sonic history of "ultrasound" and other typologies of liminal sound vibrations. Such "inaudible sounds" repeatedly defied amplification (efforts to make them louder); their frequencies were too high or too low to vibrate the human eardrum. But humans have long suspected that insects, bats, dogs, and other animals could hear them and communicate through them. The following research on bat echolocation in the Griffin laboratory is one aspect of a much more comprehensive historical project, which platforms nonhuman listeners in 19th- and 20th-century experimental contexts as they repeatedly pushed the limitations of human hearing. Broadly speaking, the dissertation suggests that animal figures are useful vectors for exploring an expanded history of sounds, including high-pitched frequencies, in science and medicine. My objective is to better understand how scientists designed media and choreographed animal listeners in order to make meaning from the sounds they could not hear on their own. I am most invested in understanding how humans exploited, collaborated with, and coexisted with animals to make sense of the insensible – or, to understand the unheard bestial worlds of communication. In this report, I draw on material from the Donald R. Griffin Papers, held at the Rockefeller Archive Center, which includes a vast array of Griffin's laboratory notebooks, correspondences, sound films, newspaper clippings, and publications. The analysis spans the years between Donald Griffin's first experiment on bat navigation in the dark (1938) – conducted during his early graduate training years – and his postwar research on the physical principles of bat pulses into the 1960s. More specifically, I characterize the ways in which various forms of media were deployed in experimental settings to study bats and the inaudible sounds emitted by them for orienting their bodies in flight. Scientists and collaborators of the Griffin lab relied on an array of mixed media, from the sound transposing devices of Harvard physicist George W. Pierce, to mechanical-visual apparatuses such as cathode-ray oscillograms and sound spectrographs, through to hand-written laboratory notes and printed correspondences and – ultimately – the bats themselves, to answer their questions. Furthermore, I explore the epistemic techniques of listening for sound and silence in the Griffin laboratory, in which the ears and eyes of scientists interfaced with special acoustic media to produce certain knowledges about bats and their patterns of flight. This project also engages with the highly militarized scientific contexts that constituted Griffin's work on bat echolocation.
The Ford Foundation’s 1970s Program for School Finance Reform: Origins and Overview
October 13, 2022As a foundation, Ford tried different approaches to ameliorate social problems. For example, the Ford Foundation both funded community control of schools to make local fundraising easier and lawsuits to equalize state resources during the late 1960s. Yet, the ideas behind the Ford Foundation's public education grantmaking conflicted: Should democracy be based on voting or participation? Should schools be run by the community or by experts? Should legislatures volunteer or courts require school finance reform? From the start of its influential school finance grantmaking in 1969, Ford funded policy ideas rather than political action, looking to the courts for top-down orders to end the discriminatory use of property taxes to fund schools. The foundation pursued two strategies: supporting groups reforming discriminatory school finance and building "intellectual strength."
Grace McCann Morley and the Office of the Coordinator of Inter-American Affairs
September 9, 2022While conducting research for my doctoral dissertation, "Grace McCann Morley and the Dialectical Exchange of Modern Art in the Americas, 1935-1958," I visited the Rockefeller Archive Center (RAC) in order to learn more about Grace McCann Morley's work with Nelson Rockefeller and the Office of the Coordinator of Inter-American Affairs (CIAA), through materials in Nelson A. Rockefeller's personal papers. In 1940, Rockefeller invited Morley, the director of the San Francisco Museum of Art (SFMA; now San Francisco Museum of Modern Art), to serve as an advisor to the CIAA and its Committee on Art. This committee planned exhibitions such as La Pintura Contemporánea Norteamericana for Latin American audiences and Latin American Art for US audiences. Although my research in the archives did not uncover correspondence between Rockefeller and Morley, it did reveal useful contextual information about Rockefeller's investment in collecting and exhibiting Latin American art and Morley's relationship with Alfred H. Barr, Jr., the director of the Museum of Modern Art in New York (MoMA).
Contested Subjects across Cold War Frontiers: Hungarian Refugees from 1956
July 29, 2022My project follows Hungarian refugees from the failed Hungarian Revolution of 1956 through the Cold War ideological and institutional structures of the immediate postwar period. To what extent did they adopt a Cold War script, and conversely and to what extent were they conditioned by the constraints of the geopolitical order? Moreover, how did they help constitute the international meaning of the Revolution? This project is motivated by answers to these questions and uses individual Hungarian refugee trajectories to unpack new insights on the Cold War, as well as how the Cold War obscured other concerns at the time – for instance, decolonization and processing the memories of the Second World War.
Higher Education, Private Philanthropy, and Music Patronage in the Mid-Twentieth Century
July 18, 2022This report offers evidence of key actors' strategies to forge a new union between new music and higher education as means to solve the economic instability of performing arts organizations and artists in the mid-twentieth century. Their rationale and resulting programming established American higher education institutions as the main site of creative music-making. Additionally, their decisions implicated the style and genre of music in higher education. Specifically, Rockefeller Foundation trustees emphasized the importance of continuing high arts cultural patronage in the style of European aristocrats in the sixteenth through early nineteenth centuries; and officers of the Rockefeller Foundation and Ford Foundation advocated for improving the quality of, and access to, music education of the same repertoire. Their impacts cemented higher education music departments and schools of music as sites of elite, white culture into the twenty-first century.
Life’s Networks and the American Art World
June 17, 2022Life magazine's vast networks and the connections and collaborations between its editors and museum trustees, collectors, curators, critics, and artists at a wide range of institutions led to some of the most fascinating and innovative exhibitions, magazine articles, and programs in the mid-century American art world.
Designing a Pictorial Language: Rudolf Modley’s Search for Philanthropic Support for the Development of a Universal System of Symbols
May 3, 2022In 1966, acclaimed cultural anthropologist Margaret Mead, and graphic designer Rudolf Modley established the nonprofit Glyphs, Inc., to advance the research, classification, and promotion of universal graphic symbols around the world. Creating a visual language and system of symbols, they believed, could transcend language and lead to greater international understanding and harmony. But despite their esteemed records and vast international contacts, Mead and Modley's ambitious and utopian vision was never fully realized, stalled by lack of financing, unclear and unrealistic goals, differences over philosophy and methodology, and competition and criticism from other comparable endeavors. The correspondence, memos, proposals and reports available in the Rockefeller Archive Center holdings -- notably those of the Ford Foundation (and its affiliate, the Fund for the Advancement of Education), the Rockefeller Foundation (specifically those of the Rockefeller-funded General Education Board), and the Russell Sage Foundation -- provide rich insight into the journey and obstacles faced by Rudolf Modley in raising philanthropic support for his ambitious vision in the decades leading up to the formation of Glyphs, Inc. They shed light on the competing effort of renowned industrial designer Henry Dreyfuss to create an international dictionary of symbols, their differing methods and approach, and their lack of familiarity as designers with the nuances of raising philanthropic funds for their ambitious endeavor. Both Modley and Dreyfuss would go on to publish seminal books on graphic and pictorial symbols in the 1970s, but their tireless efforts to garner support from philanthropic foundations were fraught with false starts and disappointments.
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