16 results found
During several visits to the Rockefeller Archive Center (RAC) in 2017 and 2018, I viewed papers from a handful of collections which provided perspective on the early history of the National Bureau of Economic Research (NBER). In my book project, tentatively titled Mapping the Future. A Euro-American History of Business Forecasting, 1920-1980, I investigate the history of four economic forecasting tools that have been developed, disseminated, and applied in the United States, in Europe, and beyond. One of them, leading indicators, was originally developed at the NBER in the 1930s and remains, till today, one of the most prominent forecasting tools worldwide. In what follows, I offer an overview of my book project and outline the history of the formation of the NBER. In it, I make extensive references to the sources of the Rockefeller Archive Center, which provide the most profound insights into the early history of the NBER.
This paper looks at the cooperation and rivalry between the Rockefeller Foundation and the French Pasteur Institute during the development of the 17-D and Dakar vaccine strains for inoculation against yellow fever. Using sources held at the Rockefeller Archive Center, this paper recovers the tenuous relationship between the researchers funded by the two institutions, and shows how their work was shaped by national, imperial, and scientific rivalries. In the race to the yellow fever vaccine, the Pastorians, in particular, utilized their imperial network, which allowed them to bypass ethical concerns raised by researchers in Paris and elsewhere, and proceeded to human trials using a vaccine that had been criticized for its adverse neurological effects on certain subjects.
Foundations and Networks of Korean Studies, 1960s–1970s: Focusing on the Activities of the Council on Exchange with Asian Institutions (CEAI), the Asiatic Research Center (ARC), and the Joint Committee on Korean Studies (JCKS)August 23, 2021
This paper analyzes the formation of Korean studies in the 1960s and 1970s, focusing on the relationship and activities of the Asiatic Research Center (ARC, the Korea University), the Council on Exchange with Asian Institutions (CEAI), and the Joint Committee on Korean Studies (JCKS). CEAI and JCKS were both connected with the Social Science Research Council (SSRC). Korean studies had no choice but to start under an America-centric and asymmetrical knowledge production system during the Cold War. In addition, Korean studies were not as developed as Chinese and Japanese studies. At that time, Korean studies were the result of mobilization and establishment of knowledge resources to obtain "citizenship" in the academy. The purpose of the CEAI's decision to support the ARC was to strengthen Chinese studies. However, the ARC was reborn later as the nucleus of Korean studies. Networks and intellectual assets formed through the ARC exchange program supported by the CEAI were inherited by the JCKS and then cycled back to the ARC. As such, Korean studies formed in Korea and the United States in the 1960s and 1970s, were not separate from each other, but were created by interactions and networks ("The co-production of Korean studies"). In the process of institutionalization of Korean studies, "empirical research based on materials/data" was the agenda that was emphasized the most. The first project launched by the ARC, supported by the Rockefeller Foundation and the Ford Foundation, was to collect and edit historical data concerning Korea. The first project JCKS started, after its establishment in 1967, was to host an academic conference inviting librarians. The institutionalization of Korean studies as "science" and the systematic collection of knowledge resources were impossible on the Korean peninsula, in the shadow of dictatorship and overwhelmed by Cold War ideology. Ironically, what made it possible were the funds and networks offered by the United States, headquarters of the Cold War. The impact of the Cold War on the knowledge production of Korean studies was strong and enormous. However, in order to grasp the meaning of its effect and aftermath, we should be free from Cold War reductionism.
International Refugee Relief on the Caucasus Front, 1915-16: Perspectives from the Rockefeller Archive CenterJuly 12, 2021
Humanitarian relief in the aftermath of the Armenian Genocide is now frequently referred to by historians as a watershed moment in the history of humanitarianism. Keith Watenpaugh has suggested that the efforts of the American Near East Relief (NER), coming to the rescue of surviving Armenians in the aftermath of war and genocide, were representative of a shift to a distinctive "modern" form of humanitarianism. Others have drawn upon the Armenian case to suggest that the shifts in humanitarian relief occurring around this time were more uneven. Rebecca Jinks, for example, draws attention to the way racialised and gendered colonial discourses shaped responses to displaced Armenian women. The wave of scholarship connecting the Armenian Genocide to histories of humanitarianism has thus far focused on interventions in the former Ottoman territories of the Middle East (in particular, the French mandates of Syria and Lebanon). In contrast, the response to the hundreds of thousands of Armenian refugees who fled to the Russian imperial territories of Transcaucasia (the South Caucasus) during and in the aftermath of war and genocide remains relatively less well understood.
Report on Research Examining the Ford Foundation’s Influence on the Producing Model of US Regional TheatersJune 9, 2021
This report provides draft excerpts from my PhD research on the evolving relationship between US regional theaters and the New York-based cluster of legitimate commercial theaters and producers, collectively known as "Broadway," between 1947 and 2017. After World War II, Broadway had near total control over the professional production and regional distribution of new plays and musicals. In response to this stranglehold, there were calls to decentralize the American theater. The resident (or regional) theater movement that eventually arrived in response to these calls is generally credited to the massive investments, technical assistance, and public advocacy of the Ford Foundation. Between 1959 and 1980, the Foundation awarded approximately $31.5 million in support of strengthening resident professional theater. Material from the Ford Foundation (FF) archives collected at the Rockefeller Archive Center (RAC) contributes to a chapter in my dissertation examining how requirements, constraints, and forms of support provided by the FF shaped the first generation of modern resident theaters, including their relationship with Broadway. To that end, two questions are currently motivating my review and analysis of documents collected in the FF collection: (1) Did financial support, technical assistance, and the imprimatur proffered by the FF strengthen or weaken the agency of resident theaters vis-à-vis Broadway? (2) Did the FF's support encourage resident theaters to adopt structures, policies, practices, goals, and beliefs that ultimately confined them to fulfilling a distributary (franchise) or tryout (farm club) function vis-à-vis Broadway, rather than the tributary (independent feeder) role that regional theaters were once imagined to fulfill?
“A Most Interesting and Complex Involvement”: Cold War Alignments between the Ford and Rockefeller Foundations, the Congress for Cultural Freedom, and the Central Intelligence AgencyMay 25, 2021
When temperatures on the cultural Cold War front reached boiling point in the early 1950s, both the State Department and the Central Intelligence Agency (CIA) solicited the cooperation of the private sector for funding activities aimed at refuting Communist claims about the United States and its allies—activities that would have suffered from inefficiency had they been openly funded by Washington. This report traces this symbiotic state-private relationship in the case of the Congress for Cultural Freedom (CCF), a worldwide CIA-funded forum for intellectuals of centrist persuasion, established at a time when the US Congress was reluctant to appropriate funding for counterpropaganda. From the very onset, the CIA tried to transfer "Operation Congress" to the philanthropic sector, the Ford and Rockefeller Foundations, in particular. Records of these foundations reveal an internal balancing of risks against responsibilities, which tipped in favor of the CCF by the presence of staunch advocates such as John McCloy and Shepard Stone. By the time the Ford Foundation finally decided to commit itself substantially to the CCF, fate struck and exposed its link with its secret patron. A sense of obligation, if not guilt, on the part of Ford Foundation administrators, often combined with a sincere conviction of its continued utility in the concerted endeavor of tearing down the Iron Curtain, ensured the existence of the CCF—renamed into the International Association for Cultural Freedom (IACF)—for another decade. The incapacity of the IACF to adapt itself to the political climate of the late 1960s and early 1970s, however, ultimately led to its demise.
Searching for Female Agency among Documents: Postwar Japanese Female Intellectuals and Their NetworkMay 11, 2021
Since the late 1980s and 1990s, the research field of the cultural Cold War has flourished and produced numerous works in the United States and in other countries. This development has inspired studies on Japanese culture during and after the occupation in the context of Cold War cultural policies, which, programmed and conducted by various US agencies both public and private, provided the arena of hegemonic negotiation. Representative works include: Fumiko Fujita, Amerika Bunka Gaiko to Nihon: Reisenki no Bunka to Hito no Koryu [U.S. Cultural Diplomacy and Japan in the Cold War Era] (2015), Takeshi Matsuda, Soft Power and Its Perils: U.S. Cultural Policy in Early Postwar Japan and Permanent Dependency (2007), Yuka Moriguchi Tsuchiya, Military Occupation as Pedagogy: the U.S. Re-education and Reorientation Policy for Occupied Japan, 1945-1952 (2005). This scholarship has treated cultural policies as something functional and instrumental in the reconstruction of post-war Japanese subjectivity. In the field of American literary studies as well, this vantage point has been shared since the 2000s. What has not been fully explored, however, is the fact that there were women deeply involved in this process, working as a kind of agent: as translators, librarians, and others who had mediating functions. The aim of this research project is to explore and to trace this network of "book women," which was generated and reinforced in the process of the Rockefeller Foundation's philanthropic projects for US-Japan cultural relationship. What has not been fully explored, however, is the fact that there were women deeply involved in this process, working as a kind of agent: as translators, librarians, and others who had mediating functions. The aim of this research project is to explore and to trace this network of "book women," which was generated and reinforced in the process of the Rockefeller Foundation's philanthropic projects for US-Japan cultural relationship.
On February 9th, 1932, the Rockefeller family's new Museum of Modern Art (MoMA), in Manhattan, opened its first architectural exhibition, "Modern Architecture: International Exhibition (1932)," curated by Philip Johnson and Henry-Russell Hitchcock. While the Museum would soon be leveraged to create connections between Latin America and the United States, beginning with Mexico in particular, "Modern Architecture" focused exclusively on designs realized within the Global North in order to challenge Europe's modern architectural hegemony, while shaping the aesthetic choices of US architects and the general public. Though the exhibition was a resounding success in its time, its co-publication, The International Style (1932), conceived by Barr and Hitchcock before the decision to launch the exhibition, has ensured the circulation of the curators' concerns over the intervening decades.
The Rockefeller Foundation had originally left out much grantmaking to the arts during the first decades of its operations, instead devoting greater resources to efforts such as the alleviation of global hunger, the expansion of access to public libraries, or the eradication of hookworm. Its support of music prior to the 1950s had totaled less than $200,000 over four decades. After the Second World War, however, it began giving substantial funds to the arts and humanities. The Rockefeller Foundation funded projects in new music, like commissions made by the Louisville Orchestra, operas and ballets at New York's City Center, and the work of the "creative associates" at the State University of New York at Buffalo. In total, between 1953 and 1976, the Rockefeller Foundation granted more than $40 million ($300 million in 2017) to the field of music alone.
During the past fifteen years, a wave of Western-led development efforts has aimed to transform agriculture across Africa under the banner of the Green Revolution in Africa. These efforts build directly upon a longer history of American-led Green Revolution development projects, that began with the Rockefeller Foundation-sponsored efforts in Mexico in the 1940s and 1950s. While the early Green Revolution programs that began in Mexico and expanded throughout much of Latin America and Asia during the 1960s were largely public sector-led projects, today's Green Revolution involves a growing number of public-private partnerships between national and international development organizations and multinational corporations. My research at the Rockefeller Archive Center aimed to provide historical context for the development of the "partnership paradigm" in contemporary agricultural development. In what ways, I ask, do public-private partnerships either extend or depart from previous Green Revolution projects? While today public sector researchers often collaborate with colleagues in the private sector, how did the early Green Revolutionaries understand their efforts in relation to commercial agribusiness? While scholars have persuasively argued that the Green Revolution was resolutely capitalist in its orientation—indeed, the "Green" in Green Revolution was originally coined to suggest that American-led capitalist agricultural development would serve as a buffer against the expansion of a "Red" communist revolution in the Third World—few scholars have traced how and where early Green Revolution programs aligned with US agribusiness interests. In this research report, I survey some initial findings from my archival research along these lines.
There has been a surge of interest in the history of colonial public health of Haiti. This body of recent scholarship has shed light on the general construction of US colonial public health, humanitarianism during the US occupation, yaws/treponematosis control campaigns, and hegemony. While it is generally understood that the treatment of treponematosis played an outsized role in the performance of enlightened US medical modernity, what is less well described is how treponematosis became the central target of US and Rockefeller Foundation efforts to solidify the legitimacy of the US colonial state. This report will argue that there existed a wide variety of infectious diseases, some of which the US occupation believed that they could treat or eradicate, including smallpox, intestinal protozoa, dysentery, malaria, hookworm disease, and treponematosis. As a result of several material and pragmatic concerns, treponematosis became the central focus of the US occupation. With regard to the prioritization of treponematosis, the operations of the Public Health Service in Haiti can be divided into at least two periods, the first spanning from the formation of the Public Health Service in 1919 to the initiation in 1924 of the General Disease and Sanitary Survey of Haiti. The second period spans from 1925, at the end of the Survey of Haiti, to the beginning of 1930, when the Public Health Service began to be dismantled and the US influence began to wane. The first period had a more general concern with public health in Haiti, while the second period became acutely focused on eradication and treatment of treponematosis. Understanding how treponematosis came to be a priority requires understanding its social significance for both the US occupation and the Haitians communities afflicted by it. This paper will argue that treponematosis had widespread symbolic significance within Haiti. Together with its relative ease of treatment, diagnosis, and evidence of success, this disease was selected by the US occupation for eradication because it was believed that it would most clearly demonstrate the superiority of US biomedicine and culture.
The archival holdings of the Rockefeller Archive Center (RAC) are a valuable resource for the history of expertise. I have used several of the RAC collections to write a social history of the interchange of knowledge between Polish social scientists and American internationalists in the 1920s and the 1930s. I would like to see this story as the Continental prehistory of American area studies. This report offers an overview of my work at the RAC, in particular, the types of materials I have looked through. It briefly discusses how the evidence enriched my understanding of the ways that expert knowledge traveled between Eastern Europe and the United States.
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