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“A Most Interesting and Complex Involvement”: Cold War Alignments between the Ford and Rockefeller Foundations, the Congress for Cultural Freedom, and the Central Intelligence AgencyMay 25, 2021
When temperatures on the cultural Cold War front reached boiling point in the early 1950s, both the State Department and the Central Intelligence Agency (CIA) solicited the cooperation of the private sector for funding activities aimed at refuting Communist claims about the United States and its allies—activities that would have suffered from inefficiency had they been openly funded by Washington. This report traces this symbiotic state-private relationship in the case of the Congress for Cultural Freedom (CCF), a worldwide CIA-funded forum for intellectuals of centrist persuasion, established at a time when the US Congress was reluctant to appropriate funding for counterpropaganda. From the very onset, the CIA tried to transfer "Operation Congress" to the philanthropic sector, the Ford and Rockefeller Foundations, in particular. Records of these foundations reveal an internal balancing of risks against responsibilities, which tipped in favor of the CCF by the presence of staunch advocates such as John McCloy and Shepard Stone. By the time the Ford Foundation finally decided to commit itself substantially to the CCF, fate struck and exposed its link with its secret patron. A sense of obligation, if not guilt, on the part of Ford Foundation administrators, often combined with a sincere conviction of its continued utility in the concerted endeavor of tearing down the Iron Curtain, ensured the existence of the CCF—renamed into the International Association for Cultural Freedom (IACF)—for another decade. The incapacity of the IACF to adapt itself to the political climate of the late 1960s and early 1970s, however, ultimately led to its demise.
Searching for Female Agency among Documents: Postwar Japanese Female Intellectuals and Their NetworkMay 11, 2021
Since the late 1980s and 1990s, the research field of the cultural Cold War has flourished and produced numerous works in the United States and in other countries. This development has inspired studies on Japanese culture during and after the occupation in the context of Cold War cultural policies, which, programmed and conducted by various US agencies both public and private, provided the arena of hegemonic negotiation. Representative works include: Fumiko Fujita, Amerika Bunka Gaiko to Nihon: Reisenki no Bunka to Hito no Koryu [U.S. Cultural Diplomacy and Japan in the Cold War Era] (2015), Takeshi Matsuda, Soft Power and Its Perils: U.S. Cultural Policy in Early Postwar Japan and Permanent Dependency (2007), Yuka Moriguchi Tsuchiya, Military Occupation as Pedagogy: the U.S. Re-education and Reorientation Policy for Occupied Japan, 1945-1952 (2005). This scholarship has treated cultural policies as something functional and instrumental in the reconstruction of post-war Japanese subjectivity. In the field of American literary studies as well, this vantage point has been shared since the 2000s. What has not been fully explored, however, is the fact that there were women deeply involved in this process, working as a kind of agent: as translators, librarians, and others who had mediating functions. The aim of this research project is to explore and to trace this network of "book women," which was generated and reinforced in the process of the Rockefeller Foundation's philanthropic projects for US-Japan cultural relationship. What has not been fully explored, however, is the fact that there were women deeply involved in this process, working as a kind of agent: as translators, librarians, and others who had mediating functions. The aim of this research project is to explore and to trace this network of "book women," which was generated and reinforced in the process of the Rockefeller Foundation's philanthropic projects for US-Japan cultural relationship.
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