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"The role of women in the Museum of Modern Art (MoMA) has been a vital one from the day the idea was first conceived," observed David Rockefeller to a small gathering in a newly dedicated gallery on the recently expanded third floor of New York's MoMA on December 7, 1987. "[And] we are here today to give thanks and praise to [an] amazing and dedicated lady who . . . since she became President of the Museum for a second time in 1972, has probably had a greater impact on the evolution of MoMA both internally and externally than any other one individual."The setting, in fact, was the dedication of a gallery designated for abstract expressionist art in whose honor the space was named, Blanchette Hooker Rockefeller. Thirty years after that ceremony, thousands of patrons continue to mill through the delicately lit space, some soothed by the muted cardinal color of an outsized Barnet Newman canvas, others stirred by a Jackson Pollack oeuvre, most unaware of the singular influence of the gallery's namesake on the museum's history itself.
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